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Fulton. Griffith built "Intolerance" as a direct
response to the destructive community response to the overt
racism depicted in "The Birth of a Nation,"
which was launched a 12 months before. As with "The Birth of a Nation," Griffith released new cinematic approaches in "Intolerance" that are now deemed commonplace in modern movement picture marketplace.
Critic Andre Sennwald, writing in the New York Times, praised Ford's route: "In his hands 'The Informer' gets at the exact same time a striking psychological analyze of a gutter Judas and a raw spectacular photo of the Dublin underworld in the course of the Black and Tan terror." Ford
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